Jesus Rodero. N2 - In the last four decades, the fantastic has become an instrument of transgression, a literary resource to subvert the cultural codes that shape social and political reality in Latin America. A significant number of writers have used the fantastic to challenge the cultural values and ideological and political narratives which have given meaning and defined reality in many Latin American countries. She puts emphasis on aspects of gender, but also on questions of race and social class.
|Published (Last):||13 November 2012|
|PDF File Size:||1.61 Mb|
|ePub File Size:||6.6 Mb|
|Price:||Free* [*Free Regsitration Required]|
Important User Information: Remote access to EBSCO's databases is permitted to patrons of subscribing institutions accessing from remote locations for personal, non-commercial use.
However, remote access to EBSCO's databases from non-subscribing institutions is not allowed if the purpose of the use is for commercial gain through cost reduction or avoidance for a non-subscribing institution. For just as long, criticism of her work has been snarled in essentialist arguments that assume that language embodies the values of the culture from which it derives and that words transmit an essence regardless of context. Following this logic, English and Spanish are systems in opposition.
Using Marilyn Gaddis Rose's concept of stereoscopic reading, the essay places two autonomous but interrelated texts in a theory-informed relationship that renders them as one textual space and captures the creative interliminality of a bilingual writer.
However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.
All rights reserved.
A stereoscopic reading of Rosario Ferré's "El cuento envenenado" and "The Poisoned Story".