DIJALEKTIKA PROSVJETITELJSTVA PDF

The CC BY SA license permits non-commercial and commercial re-use of an open access article, as long as the author is properly attributed. Authors grant to the Issues in Ethnology and Anthropology the right to publish the article, to be cited as its original publisher in case of reuse, and to distribute it in all forms and media. Copyright and source must be acknowledged and a link must be made to the article's DOI. We welcome authors, readers, scientists and general public to search our archives and search for articles about ethnological, anthropological, archaeological, folklor, cultural studies and other humanities topics. Since , it is coming out as a new series.

Author:Kagar Voodoogal
Country:Egypt
Language:English (Spanish)
Genre:Finance
Published (Last):12 July 2015
Pages:229
PDF File Size:20.41 Mb
ePub File Size:11.17 Mb
ISBN:780-5-94976-375-4
Downloads:28133
Price:Free* [*Free Regsitration Required]
Uploader:Vugar



The CC BY SA license permits non-commercial and commercial re-use of an open access article, as long as the author is properly attributed. Authors grant to the Issues in Ethnology and Anthropology the right to publish the article, to be cited as its original publisher in case of reuse, and to distribute it in all forms and media. Copyright and source must be acknowledged and a link must be made to the article's DOI.

We welcome authors, readers, scientists and general public to search our archives and search for articles about ethnological, anthropological, archaeological, folklor, cultural studies and other humanities topics. Since , it is coming out as a new series. Since , it has published 4 issues per year. Please find more information about our journal. Faculty of Philosophy, University of Belgrade. Note to Contributors. Follow us on Facebook. Clarivate Analytics.

World Cat. Crossref Member. Skip to main content Skip to main navigation menu Skip to site footer. Keywords: music, internet, YouTube, perception, social community, Viva Vox choir. Abstract Listening to music nowadays is unthinkable without the YouTube Channel through which not only we can get to the desired sound, but also extend our music knowledge to virtual travels through space and time. Due to new technologies, it is possible to get into the music worlds of the sixties, eighties, nineties, and through the music from that period to revive the elapsed epoch, at least briefly.

It is also possible to listen to Rock and Roll, classical music, hip hop, techno or any other type of sound that we define. Although YouTube is a website that allows people to show and watch any video clip which does not have to be musical , much of the material is actually of a musical character, so this site as such will be analyzed in this paper.

The idea behind this research is based on the hypothesis that YouTube, through its decade of existence, influenced the understanding, creation and listening to music, which I am trying to show through the analysis of the case study of the Belgrade choir Viva Vox.

Namely, after one song uploaded on YouTube, the life of this choir has changed, wherefore the local choir has become a world famous phenomenon. I base my analysis on YouTube website primarily on his social dimension, which means that I consider this page as an important "place" of gathering, where people under their pseudonyms feel free to express their attitude about what they have heard, which in fact often reflects their relationship to everyday life.

Downloads Download data is not yet available. References Adorno, Teodor i Maks Horkhajmer. Dijalektika prosvjetiteljstva. Burgess, Jean and Joshua Green. Online Video and Participatory Culture. Cambridge: Polity Press. Cayari, Christopher. Pristupljeno Popularna kultura. Beograd: Clio.

Lange, Patricia G. Facebook: kako se predstavljamo u virtuelnom prostoru. Manovich, L. Lovink and S. Niederer, Amsterdam: Institute of Network Cultures. Strangelove, Michael. Toronto: University of Toronto Press.

PDF Srpski. How to Cite. Ajduk, Marija. Issues in Ethnology and Anthropology 13 2 , — Make a Submission.

CHAMATKAR CHINTAMANI PDF

VIAF ID: 51053575 (Personal)

Pre-requisites: Previous knowledge of basic ideas of German classical idealism and orientations in basic trends of contemporary philosophy. Course objectives: Introduction to basic ideas of critical theory, their significance for understanding contemporary socio-historical trends, and their relevance to critical understanding of modern scientific and technological rationality. Course description: Conceptual background and historical motivations of critical theory; distinction between traditional and critical theory; dialectics of the relationship between rationaity and domination, knowledge and power; critique of unilateralism of instrumental rationality and scientism; connecting the critical potentials of psychoanalyis and tradition of dialectical thought; relation to other theoretical orientations existentialsim, pragmatism, neopositivism, hermeneutics. Learning Outcomes: Understanding the connection between ideas and socio-historical contexts, mastering the potentials of critical analysis of basic problems of modern scientific and technological culture. KDA Schmidt A. About the Department Study Programs Courses

IF MUSIC BE THE FOOD OF LOVE DAVID DICKAU PDF

Oh no, there's been an error

To register. Why to register? Forgotten password! Article metrics. Anali Ekonomskog fakulteta u Subotici. Dispersing of the unified notion of truth in the modern age expressed itself through the formation of specific connection between the science and technology. Soon, the rationalism got its calculative form, by which the economy became one of the key, although auxiliary strategy.

HCF4053BE DATASHEET PDF

POETIKA OŽILJKA: „MJESTO GLASA“ U ARHITEKTURI TIJELA ODISEJEVE MAPE PUTOVANJA.

Addley, Esther Berners-Lee, Tim 9. Bey, Hakim Privremene autonomne zone i drugi tekstovi , ur. Neil Strauss, New York: Semiotext e , str. Briggs, Mark i Jan Schaffer Journalism 2. Brown, Wendy Regulating Aversion.

JOHN RIGGS MENTALISM PDF

Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir

.

Related Articles