BARTOK MUSIC FOR STRINGS PERCUSSION AND CELESTA SCORE PDF

Despite the problems caused by the Corona-virus our Webshop and the contact forms on our website are fully available. You may also address your inquiries to customer-relations universaledition. Thank you for your understanding if our answer takes longer as usual because of the current restrictions. Your Universal Edition Team. The constant return of the fugal theme from the first movement gives an organic unity to a series of complementary moods.

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Since this work was first published after with the prescribed copyright notice, it is unlikely that this work is public domain in the USA. PDF scanned by Unknown m. Music for Strings, Percussion and Celesta, Sz. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Naxos Javascript not enabled. Pieces ; For timpani, celesta, xylophone, percussion, harp, 4 violins, 2 violas, 2 cellos, 2 double basses, piano ; Scores featuring the celesta ; Scores featuring the xylophone ; Scores featuring the timpani ; Scores featuring the harp ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; Scores featuring the double bass ; Scores featuring the piano ; For 16 players.

Contents 1 Performances 1. Ducretet-Thomson, C , Gagnaux Collection reissue. Javascript is required for this feature. Pub lisher. Vienna: Universal Edition , Plate U. Plate B. To celebrate the tenth anniversary of the Basler Kammerorchester. Early 20th century. Suite No.

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Modern Times: Bartók’s Music for Strings, Percussion and Celesta

Since this work was first published after with the prescribed copyright notice, it is unlikely that this work is public domain in the USA. PDF scanned by Unknown m. Music for Strings, Percussion and Celesta, Sz. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Naxos Javascript not enabled. Pieces ; For timpani, celesta, xylophone, percussion, harp, 4 violins, 2 violas, 2 cellos, 2 double basses, piano ; Scores featuring the celesta ; Scores featuring the xylophone ; Scores featuring the timpani ; Scores featuring the harp ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; Scores featuring the double bass ; Scores featuring the piano ; For 16 players. Contents 1 Performances 1.

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Music for Strings, Percussion and Celesta, Sz.106 (Bartók, Béla)

In , the Swiss conductor Paul Sacher married Maja Stehlin, the widow who had inherited the Roche pharmaceutical fortune. Finding himself now one of the richest men in the world, Sacher poured his wealth into one of his greatest passions: new music. In , Sacher had founded the Basle Chamber Orchestra, an ensemble dedicated to performing both new works and neglected music from the pre-classical era. By , the year-old composer was unaccustomed to earning much from his compositions; his primary source of income was a post he had secured at the Budapest Academy of Sciences that allowed him to pursue his interest in ethnomusicology specifically the folk music of his native Hungary and surrounding lands. This regular work was supplemented by giving piano lessons to select private students and occasional performances as a piano soloist.

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Béla Bartók: Music for String Instruments, Percussion and Celesta

Music for Strings, Percussion and Celesta , Sz. Commissioned by Paul Sacher to celebrate the tenth anniversary of the chamber orchestra Basler Kammerorchester , the score is dated September 7, As its title indicates, the piece is written for string instruments violins , violas , cellos , double basses , and harp , percussion instruments xylophone , snare drum , cymbals , tam-tam , bass drum , and timpani and celesta. The ensemble also includes a piano , which may be classified as either a percussion or string instrument the celesta player also plays piano during 4-hand passages. The piece is in four movements, the first and third slow, the second and fourth quick. All movements are written without key signature :. The first movement is a slow fugue with a constantly changing time signature.

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