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Return to Book Page. Get A Copy. Paperback , pages. Published August 27th by Ballantine Books first published October 11th More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Proud Tower , please sign up.
Someone had asked if she could get the bibliography referenced books used the author used for The Proud Tower. Do you have e-book? See 2 questions about The Proud Tower…. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Aug 24, Matt rated it liked it Shelves: world-war-i.
How do you follow up a major success in life? Barbara Tuchman certainly had to answer that query. In , she published The Guns of August , one of the most widely acclaimed works o How do you follow up a major success in life?
In , she published The Guns of August , one of the most widely acclaimed works of history ever written. It won the Pulitzer Prize.
It was a popular success. It is said that Kennedy read it during the Cuban Missile Crisis. So, what do you do when your book has made you famous, wealthy, and also saved the world from nuclear war? How do you come up with an encore? In literal terms - well, read on. I know what I would've done. Tuchman didn't do either of these things. She didn't do anything, really. Instead, of a fresh masterpiece, Tuchman's next catalogue entry is the literary version of a sit com's clip show.
The Proud Tower , the chronological follow-up to The Guns of August , is a collection of eight previously-published essays written by Tuchman. The only original writing is a three page Forward that tries to reverse engineer a thesis. I doubt many of us have seen the original articles elsewhere. Certainly, this is my first exposure to any of them. It is, at the very least, misleading as to its intentions.
Right from the cover, you are lead to believe this is a predecessor — in spirit if not in fact — to The Guns of August. The Proud Tower , on the other hand, is all over the place, hopping, skipping, and jumping from one topic to the next. It does not provide a portrait, a holistic vision, so much as it gives us an assortment of snapshots. Most importantly, the shadow of World War I is hardly mentioned at all.
She has two chapters on Great Britain, both focusing on the shift of power away from the patricians embodied in the House of Lords and into the hands of the common people embodied by the Liberal alliance with Labour. The first Great Britain chapter focuses on Lord Salisbury, and gets a bit tedious. The second chapter, about the de-fanging of the House of Lords, is much brisker and alive with political maneuvering.
Like Socialists, Anarchists were looking to foment a revolution. Unlike Socialists, Anarchists being anarchists were against organization, training, discipline, etc. Instead, they wanted to spark the revolution by spontaneous acts of violence. Tuchman always had a keen eye for comparing historical movements from one time period to another. She would have appreciated how familiar the Anarchist tactics feel today in light of modern terrorist tactics.
Reed tried to stop America from turnign into an imperial. It was a struggle he lost following American successes and land acquisitions in the Spanish-American War. This was the moment America went from a proud non-colonial power to an aggressively-grasping empire that mimicked the old order of Europe. The Dreyfus Affair began in when Captain Alfred Dreyfus, a French artillery officer, was convicted of passing military secrets to the Germans. On the one side, you had the moral might of the government and military, which held itself beyond reproach.
The conventions that came out of these talks attempted to codify the conduct of warfare. It touched on issues such as protection for civilians and their property and treatment of prisoners-of-war. Despite a lot of foot dragging among the great powers, who did not want other countries to constrain their abilities in time of war, Tuchman presents the Hague Conferences as relative successes. Indeed, as she notes, in one of her rare references to the looming Great War, a third conference had been scheduled for It never occurred.
Here, Tuchman goes on a rather lengthy tangent about Richard Strauss, the German composer and conductor. Thus, I was predisposed not to care much about this subject. The French Jaures was an influential leader of the Socialist movement. Without Jaures, the Socialists became — at least for a minute — as ardent nationalists as any. Freed from the threat of strikes or opposition, the governments of the belligerent nations were free to do as they pleased. Unfortunately, they desired war.
As you can see, there is no cohering element to these various chapters. Accordingly, there is an unevenness inherent to the proceedings. Nothing connects one chapter to the next. Tuchman does not deliver any sort of final judgment on the world before the war. Rather, she is making a bunch of random observations. Anarchists are violent! Strauss composes excellent operas! I liked The Proud Tower on the strength of its best essays.
Tuchman writes at her usual high level, with erudition, dry wit, and perceptive characterizations. Anyone picking this up in expectation of a prequel to her WWI classic will be disappointed. Despite the alleged thematic similarities, the two books are worlds apart. The Guns of August is driven by a strong narrative. The Proud Tower is a loose gathering of unrelated topical essays.
This book, for all its qualities, feels like a way to keep up a revenue stream while Tuchman labored on a real project. View all 7 comments. Aug 09, Kalliope rated it really liked it Shelves: history , ww-i , , history-european. This book is really a collection of essays published separately in various journals.
Any book tackling the social, political and artistic situation of the world in the couple of decades before it entered its first global war, could only offer a partial view. These essays offer a series of selected aspects of this bellicose universe seen through shifting points of view.
There are considerable ab While from a proud tower in the town Death looks gigantically down The City in the Sea — Poe.
There are considerable absences.
The Proud Tower: A Portrait of the World before the War, 1890-1914
Look Inside. She brings the same narrative gifts and panoramic camera eye to her portrait of the antebellum world. It would be impossible to read The Proud Tower without pleasure and admiration. Barbara W.
The Proud Tower : A Portrait of the World before the War, 1890-1914
The Proud Tower: A Portrait of the World Before the War, is a book by Barbara Tuchman , consisting of a collection of essays she had published in various periodicals during the mids. It followed the publication of the highly successful The Guns of August. Each chapter deals with a different country, theme, and time although all relate to the approximately 25 years preceding World War I. Two chapters are about British governments in and ; one chapter is dedicated to the Dreyfus Affair in France; and another is nominally about the Wilhelmine politics of late 19th-century Germany, but is really about German music and culture in that period. Other chapters cover the United States particularly the efforts of Thomas Reed , Speaker of the House, to overcome the tyranny of the absent quorum , the Hague Conventions of and , the anarchist movement of the late 19th and early 20th centuries, and the activities of the Socialist International and trade unions. From Wikipedia, the free encyclopedia.