The conflict between deliberate and spontaneous methods of working is indeed profound. It is, indeed, through contradiction that we most easily achieve originality, and originality is one of the dominant claims of the unconscious. Continuous sublimation might be said to resolve the conflict between deliberative ego and inexhaustible instinct, expressing itself in spontaneous feeling—striking a balance, or at least a truce, between head and heart. In the society of the spectacle the difference between private space and public space becomes blurred and nominal. Private space loses its quality of intimacy, public space becomes a circular system of predictable consciousness rather than an open system of free thought. One might say that the more psychically undemanding the art, the more entertaining it is, suggesting that it has something in common with the spectacles staged in sports stadiums—which some think, is what museums and art fairs have come to resemble, however metaphorically.
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This is one of the most intelligent books ever written about the psychology of artistic creativity, and it is relevant to the present situation of psychology as it is to the present situation of art. A groundbreaking work, the hidden order of art creates a fusion of aesthetics and clinical psychology, providing a challenging insight into the workings of the creative process.
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Anton Ehrenzweig 27 November — 5 December was an Austrian -born British theorist on modern art and modern music. Ehrenzweig was born into an eminent Jewish legal family in Vienna with Czech and Galician roots. He studied law, psychology and art in Austria and became a magistrate in He fled Austria immediately after the Anschluss with Germany in and settled in England with his brother Albert Ehrenzweig and parents following him later that year. He along with all other Jewish internees was released in
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The Hidden Order of Art: A Study in the Psychology of the Artistic Imagination
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