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Neil A. Kjos Music Company. Edited by Olaf Christiansen. Sacred, Choral. Kjos Music Company Published by Neil A. Kjos Music Company KJ. A reverent anthem of praise selected from among the jewels of choral composition by the 16th Century Master. Basic to an understanding of choral tone production. To play the media you will need to update your Flash plugin.
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Adoramus te Christe, motet for 4 voices (from Motets Book II for 4 voices)
Romantic imagination in the nineteenth and twentieth centuries saw Giovanni Pierluigi da Palestrina as the epitome of reserved spirituality, founder of a musical ars perfecta. As with many historical myths, this view is only partly true. Biographers have no doubt that Palestrina could be a ruthless businessman, and the holy orders he took may have been an act of depression more than one of faith. Yet the fact remains that he contributed mightily to the worship music of the Catholic Church, publishing almost 30 books of masses, motets, and other liturgical compositions in his lifetime. And the music across his vast output does retain a uniformly high level of balance, clarity, and extremely careful control over the flow of harmonic dissonance and consonance. Even in a relatively brief work such as his motet for four "equal" voices, Adoramus te, Christe, Palestrina 's utter musical control is evident. Palestrina published Adoramus te, Christe in his Second Book of Motets in ; though that volume does not survive, it was immediately reprinted in
Adoramus te Christe (Palestrina, Giovanni Pierluigi da)
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